Conferences / Symposia · Forschung · Global Theatre History · Literatur, Lyrik · Media History · Performance Studies · Theater international · Theatergeschichte · Theaterwissenschaft · Theatre History

Keynote «Mediating Cultural Meanders: Dance, Narration, Music», Gannat, France, 25-28 July, 2019

association des festival culturesI feel honoured for having been invited as a keynote speaker of the conference Indigenous Languages, Traditional Music and Dance within an Intercultural Performance/ Langues autochtones, musiques et danses traditionelles au sein de performances interculturelles in Gannat (Auvergne, France). The conference, organized by Vikrant Kishore (Australia) and Etienne Rougier (France) takes place along with the Festival des Cultures du Monde, which is a part of UNESCO‘s intangible cultural heritage. Gannat is famous for the festival that takes place every summer since 1974.

The conference will be the first of its time. My talk Mediating Cultural Meanders: Dance, Narration, Music” will discuss the circulation of intangible cultural phenomena using the examples of Thai choreographer Pichet Klunchun and his performance “Nijinsky Siam” as well as the figure and stories of Mullah/Hodja Nasreddin.

 

Conferences / Symposia · Developing Theatre · Forschung · Global Theatre History · Theater international · Theatre Archives · Theatre History · Transnational History

IFTR 2019 in Shanghai – Talk on Severino Montano and his Arena Theatre in Manila

Arena Theatre Report CoverAt this year’s annual conference of the International Federation for Theatre Research (IFTR) at the Shanghai Theatre Academy in Shanghai, China, I will be sharing a panel on the Rockefeller Foundation’s philanthropic initiatives in the field of theatre after 1950 together with Christopher Balme (LMU Munich), and Jan Creutzenberg (Seoul).

In my talk “Far-Flung | Centre-Staged: Severino Montano’s Arena and the ‘National Theatre’ in Manila in the 1950s and 1960”, I will elaborate on Montano’s establishment of an Arena Theatre in Manila and rural areas in the Philippines in the 1950s and 1960s, sponsored by the Rockefeller Foundation. Severino Montano (1915–1980) was an influential playwright and director. Born in Manila, he received his education in drama and economy primarily in Great Britain and the United States. After 12 years of studying and working abroad, he returned to Manila in order to build up the Arena Theatre and establish drama education in the Philippines.

Conferences / Symposia · Developing Theatre · Global Theatre History · Performance Studies · Theater international · Theatergeschichte · Theaterwissenschaft · Theatre History

Theatre for Development: Historical & Institutional Perspectives– Conference in Pretoria, March 2020 – CfP

tfd karim hakibä

From 16-20 March 2020, our ERC funded project Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945 at LMU Munich will be organizing an international conference in collaboration with Tshwane University of Technology in Pretoria, South Africa on the topic Theatre for Development (TfD): Historical and Institutional Perspectives. 
The thrust of the conference will be to contextualize the emergence of TfD, especially in the first decades in Africa. From its early beginnings in the 1970s under different nomenclatures and practices –such as “popular theatre”, or “community theatre” – TfD quickly transformed itself into a coherent organizational field capable of attracting significant governmental and NGO funding. It also affected a change in the teaching and practice of theatre studies in many African countries. The argument could be made that the success of TfD in the Global South has contributed significantly to the emergence of Applied Theatre as a sub discipline in many Global North countries.

This conference seeks to explore the genealogy, the varied contexts of its development, theories and institutional perspectives. Key issues the conference will interrogate include the varied manifestations of the genre and its influence across cultures and continents; funding (Governmental and NGOs), networks of individuals and institutions that propelled its rapid growth and acceptance within academic and non-academic contexts.

We welcome contributions which engage with and provoke dialogue about the historiography of the Theatre for Development paradigm. Topics might include, but are not limited to the following:

• Historiography and Archiving of Theatre for Development
• Periodization and diffusion
• Seminal figures and initiators
• The dialectics of Africa’s development and Theatre for Development
• Integrating (new) media into TfD
• The politics of funding (governmental and NGOs) and influence on TfD
• Theories, Training and TfD Practitioners
• Theatre for Development within and outside the academia
• Networks, institutions and organizations
• Critical reflections within the field
• Brecht, Freire, Boal and the emergence of TfD

Deadline for paper proposals (abstract & short biographical note) is 30 May, 2019.

If you have any question or would like to submit a proposal, please contact my colleague Karim Hakib, (Doctoral Researcher ERC Project „Developing Theatre“) 
email: Hakib.Karim@lmu.de

tfd karim hakibä

Global Arts · Global Theatre History · Performance Studies · Publication · Theater international · Theatergeschichte · Theaterwissenschaft · Theatre History · Transnational History

Online Journal of Global Theatre History – Latest Issue Focuses on Brazil, Japan, and The Levant

 

cover_issue_303_de_DE
Klick on the image leads you to the latest issue

Brazil, Japan, Syria: The latest issue of the Journal of Global Theatre History takes its readers to different corners of the world, their theatre cultures and transnational exchanges about eras and genres. The chapters explore central facets of global theatre history and theatre in a global context: the influence of Western aesthetics and aspects of “modernization” and their local adaptation in Japan at the beginning of the 20th century; the transfer and critical negotiation of theatre and theatre education in various post-war Levant cities; and the neoliberal tendencies and interweaving of theatre aesthetics and global economy in cultural sponsorship of Brazilian theatre in the recent past.

The Journal of Global Theatre History is an open access publication edited by Nic Leonhardt and Christopher Balme, Centre for Global Theatre Histories at Ludwig Maximilians University Munich.

Contributors to the latest issue: Ayumi Fujioka, Ziad Adwan, Gustavo Guenzburger.

 

 

Global Theatre History · News · Performance Studies · Theater international · Theatergeschichte · Theaterwissenschaft · Theatre History · Transatlantic Cultural Exchange · Transnational History

New chapter out on Global Theatre History (in Middell (Ed.): Routledge Handbook of Transregional Studies)

9781138718364-1The Routledge Handbook of Transregional Studies was published just in time for the end of the year. In a chapter of this handbook edited by German historian Matthias Middell, I describe the approaches and methodological challenges of Global Theatre History.

I would like to take this opportunity to thank Forrest Kilimnik (Leipzig Centre for Area Studies), who was responsible for the careful and patient editing of the contributions to this comprehensive volume.

Nic Leonhardt: “Global Theatre History”, in Matthias Middell (Ed.): The Routledge Handbook of Transregional Studies. London: Routledge 2018, Part VIII: (Trans)cultural studies, Chapter 52.

Forscher-Freuden · Global Theatre History · Media History · News · Publikationen · Theater international · Theatergeschichte · Transatlantic Cultural Exchange · Transnational History · Vortrag, Public Talk

Neuer Termin! Theater über Ozeane – Vortrag mit Book Launch am 6. Februar 2019, IBZ München

978-3-8471-0805-4_600x600

Der für den 12. Dezember 2018 angesetzte Vortrag mit Book Launch musste wegen eines Trauerfalls in meiner Familie leider ausfallen.

Der neue Termin ist 6. Februar 2019, 18:30h

Internationales Begegnungszentrum  Amalienstraße 38, 80799 München

Mittwoch, 6. Februar 2019, 18 Uhr 30.

Um Anmeldung beim IBZ wird gebeten

per e-mail an ibz-club@ibz-muenchen.de

oder telefonisch 089 28 66 86-70.

Zum Vortrag

Bewegte Zeiten markieren die Jahrzehnte vor und nach der Wende zum 20. Jahrhundert, politisch, infrastrukturell, medial und gesellschaftlich. Bewegung und Mobilität kennzeichnen auch das Gebiet der (darstellenden) Künste und des „Show-Business“ jener Jahre: Über Städte, Länder, Meere reisen Schauspieler und Tänzer, Akrobaten und Jongleure, Stücktexte und Bühnen-Werke – in einem Ausmaß, das uns heutzutage zunächst verblüffen mag.

In meinem Vortrag nehme ich diejenigen Instanzen ins Visier, die die transnationale, zuweilen globale Zirkulation darstellender Kunst und Künstler im späten 19. und frühen 20. Jahrhundert mitverantworten, organisieren und verwalten: bis dato unbekannte männliche wie weibliche Theater-Agenten, Impresarios und Play-Broker.

Der Vortragsabend ist mit der offiziellen Einführung meiner Monographie Theater über Ozeane. Vermittler transatlantischen Austauschs (1890-1925) verbunden, die im Dezember 2018 bei Vandenhoeck & Ruprecht (Göttingen) erscheint.

Daten zum Buch

Theater über Ozeane. Vermittler transatlantischen Austauschs (1890-1925). Göttingen: Vandenhoeck & Ruprecht 2018. (38, teils farbige Abbildungen – ISBN: 978-3-8471-0805-4 – Kaufpreis ca. 40 Euro.)

Bestellbar über den Verlag, buchhandel.de. oder Euren/ Ihren Buchhändler vor Ort.

Dank

Ich danke der Richard Stury-Stiftung in München für den großzügigen Zuschuss zum Druck des Buches.

Die intensiven Arbeiten am und Forschungen zum Thema wurden gefördert durch: Center for Advanced Studies der LMU München,  Deutsche Forschungsgemeinschaft (DFG), Deutsches Historisches Institut (DHI) Paris, Fritz-Thyssen-Stiftung, Martin E. Segal Centre der City University of New York und Reinhart Koselleck Projekt Global Theatre Histories. Wertvolle thoeretische und methodische Impulse erhielt ich von meinen Freunden und Kollegen des Exzellenz-Clusters Asia & Europe in a Global Context, Universität Heidelberg.